#WIRECAST STUDIO 7 VS WIRECAST PRO 7 HOW TO#
#WIRECAST STUDIO 7 VS WIRECAST PRO 7 UPGRADE#
#WIRECAST STUDIO 7 VS WIRECAST PRO 7 FULL#
#WIRECAST STUDIO 7 VS WIRECAST PRO 7 PROFESSIONAL#
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You pay upfront for a license, then need to pay like 100 a year for support to get an upgrade to the new version without that year. So many layers of people that just take notes and pass it on. I am really annoyed with having to shell out constant money for new versions, tech support is really awful with getting back and solving things. Regarding Wirecast, I read all the comments and everything people said about them are true.

It seems better now and finally it crashes significantly less now in general, it was a thing like 4 version ago. We didn't really trust the switching without crashing in older versions so we moved away from it. With wirecast all switching was done upstream for my corporate events from crews I hired and wirecast would only encode for me on primary and backup machines at the same time. In case a computer lights on fire or redundant internet goes down, I want to have ti already streaming and ready to rock.

#WIRECAST STUDIO 7 VS WIRECAST PRO 7 HOW TO#

I also have to figure out how to send a primary stream from one laptop with vMix and then also send a backup stream simultaneously from another laptop and vMix license for redundancy. The streamdeck and this just makes it so simple to do complex things, if the streaming to different platforms is solid I am sold. I have been blown away by the features in vMix with streaming output included. Can anyone speak to the stability of doing long live events with vMix? That is really what I want to know to solidify the deal of me buying a license. I just want more now and have been hardcore looking into vMix because of this. I have used Wirecast for about 12 years now with my company, I own 5 licenses and it has worked really well through the years. But don’t expect it to be more than a basic switcher/encoder, or you’ll be disappointed. Bottom line: if you can subsist on relatively simple productions, Wirecast is a great tool (and probably your only option on Mac). Also, if you can, offload any recording to another device downstream to save CPU load. Rendezvous IS a nice substitute for my Talkshow units, but a word of warning: the quality of the call will deteriorate badly as the number of guests increases, and Telestream doesn’t make that tendency very clear in their support literature. It can very frustrating to use Wirecast when you want to treat it like a more traditional switching tool. I’m normally a TriCaster user, but I’ve logged significant time on Livestream and BMD ATEM switchers as well. My company pivoted hard into live-streaming when the pandemic hit and I’m really glad I had an active Wirecast license to fall back on once our offices closed. Downside is that if their connection is crap, Vmix will automatically lower their return video feed bitrate so they may not be able to read small fonts! The built in chat feature is good for this as you can communicate discreetly that you’re about to send them to PowerPoint. One press then cuts between what video goes to the caller. I wrote a macro for this which is either tied to my Streamdeck or a shortcut key. However.there’s no quick way to cut inputs to output 2 as standard, you need to go into settings > outputs > then assign what goes to output 2.

#WIRECAST STUDIO 7 VS WIRECAST PRO 7 FULL#

You can then cut inputs to output 2 as is appropriate during show - for example the caller might want to see a wide shot of the presenters most of the time, and then cut to full screen of the PowerPoint when they’re talking about it. The way I run it is to assign video output 2 to be the return feed to callers. Generally don’t want to send the master as you usually have a pip of the caller going out, which isn’t great to see. You can assign a video output channel or master output to send back to the caller. This is all where it gets a bit of a bitch to configure.but it’s doable! R/talesfromproduction All your weird stories R/LocationSound Location sound AKA Production Sound R/audiopost For post-production sound geeks in Games, TV, Film, and Broadcast r/crestron All that is good (and bad) in the world of Crestron r/broadcastengineering Also includes radio! r/CommercialAV Commercial audio, video, and control technologies

#WIRECAST STUDIO 7 VS WIRECAST PRO 7 FREE#

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#WIRECAST STUDIO 7 VS WIRECAST PRO 7 PROFESSIONAL#

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Wirecast studio 7 vs wirecast pro 7